“The Contemporary Gladiator”: A Pioneering Journey in Black Film History
In 1988, Memphian Anthony “Amp” Elmore embarked on an extraordinary cinematic journey—one that would not only shape Memphis film history but also etch his name into the annals of world cinema. As a 5-time World Karate/Kickboxing champion, Elmore’s passion extended beyond the ring; he sought to break barriers and redefine what was possible for Black filmmakers.

The Birth of “The Contemporary Gladiator”
Elmore wore multiple hats for his groundbreaking film. He wrote, produced, directed, and even starred in “The Contemporary Gladiator.” This independent 35mm theatrical film emerged from the heart of the historic African American community of Orange Mound in Memphis. But it was more than just a local production; it became a milestone in world film history.
A Remarkable Achievement
To create the first kickboxing film in world cinema, Elmore faced challenges that transcended mere filmmaking. Being an African American making a 35mm independent film in 1988 was rare and remarkable. But Elmore’s vision went beyond the ordinary. He wanted to tell a story that resonated globally—a story that showcased the power of determination, resilience, and cultural pride.

Breaking Stereotypes
In the world of martial arts and kickboxing, the spotlight had often fallen on white or oriental practitioners. However, Elmore shattered stereotypes. While the 1989 film “Kickboxer,” starring Jean-Claude Van Damme, is widely recognized as the first kickboxing film, IMDb acknowledges that Elmore’s 1988 release, “The Contemporary Gladiator,” actually preceded it. Elmore’s film wasn’t just fiction; it was based on his own life—a true story of triumph against the odds.

Authenticity and Legacy
“The Contemporary Gladiator” authentically captured Elmore’s kickboxing journey. The film included actual footage of his fights, making it perhaps the most genuine kickboxing film ever made. But Elmore’s path wasn’t without obstacles. He confronted white supremacy, racism, and even Black-on-Black prejudice in Memphis. Despite these challenges, his film stood as a testament to resilience and the power of storytelling.
Unacknowledged History
Regrettably, Elmore’s world film history remains largely unacknowledged. Linn Sitler, the Memphis Shelby County Film Commissioner, obscured the fact that Elmore’s 1988 film was Memphis’s first independent theatrical release. Instead, a historical marker commemorates the 1989 film as the city’s first. Elmore’s story—a Black film featuring Black talent, filmed in Black Orange Mound—deserves recognition on a global scale.

Inspiring Generations
Elmore’s legacy extends beyond the screen. He reminds Black youth worldwide that the first kickboxing film in world history is the story of a Black world kickboxing champion. His journey is historic, and thanks to Anthony “Amp” Elmore, it’s a story that continues to inspire.

Superheavyweight Champion
Elmore’s accolades extend beyond filmmaking. As the world’s first superheavyweight kickboxing champion, he made history. Winning the PKA World Heavyweight title in 1982, he was later grandfathered into the newly created superheavyweight division. His victories in the Karate International Council of Kickboxing (K.I.C.K.) further solidified his place in sports history.
A Call for Preservation
Elmore now seeks recognition on a grander stage. He urges Memphis Mayor Paul Young to support the inclusion of “The Contemporary Gladiator” in the U.S. Congress National Film Registry. But it’s not just about preservation; it’s about acknowledging a trailblazer who faced adversity head-on and left an indelible mark on both film and cultural history.

Anthony “Amp” Elmore’s journey is a testament to the power of storytelling, resilience, and the pursuit of excellence. Let us honor his legacy and celebrate the impact of “The Contemporary Gladiator” on Black cinema and beyond.
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