“The Contemporary Gladiator”: A Triumph of Black Memphis History Introduction
Memphis, Tennessee, resonates with the soulful melodies of blues and the rhythm of Stax Records. But amidst this rich musical heritage, Anthony “Amp” Elmore carved out a unique place for himself—one that transcended the notes and chords. Elmore, a Memphis-born 5-time World Kickboxing Champion, not only resides in the historic Black community of Orange Mound but also etched his name into the annals of independent filmmaking. His 1988 film, “The Contemporary Gladiator,” transformed Orange Mound into the birthplace of cinematic innovation in Memphis.
The Pioneering Film
Elmore’s vision was audacious: to create the world’s first kickboxing film. And he did just that. “The Contemporary Gladiator” emerged as a groundbreaking work—a true testament to Elmore’s determination and cultural pride. The Internet Movie Database (IMDb) recognizes it as a 1988 release, specifically on August 26, 1988. In contrast, the 1989 film “Mystery Train” is listed with a release date of November 17, 1989. Elmore’s film, however, was more than entertainment; it was a milestone in Black Memphis history.
Memphis, Tennessee, resonates with the soulful melodies of blues and the rhythm of Stax Records. But amidst this rich musical heritage, Anthony “Amp” Elmore carved out a unique place for himself—one that transcended the notes and chords. Elmore, a Memphis-born 5-time World Kickboxing Champion, not only resides in the historic Black community of Orange Mound but also etched his name into the annals of independent filmmaking. His 1988 film, “The Contemporary Gladiator,” transformed Orange Mound into the birthplace of cinematic innovation in Memphis.
The Pioneering Film
Elmore’s vision was audacious: to create the world’s first kickboxing film. And he did just that. “The Contemporary Gladiator” emerged as a groundbreaking work—a true testament to Elmore’s determination and cultural pride. The Internet Movie Database (IMDb) recognizes it as a 1988 release, specifically on August 26, 1988. In contrast, the 1989 film “Mystery Train” is listed with a release date of November 17, 1989. Elmore’s film, however, was more than entertainment; it was a milestone in Black Memphis history.
Challenges and Recognition
But Elmore’s journey wasn’t without obstacles. The Wall Street Journal once labeled Memphis a “Backwards City with a Plantation Mentality.” Despite this backdrop, Elmore’s film stood tall. Unfortunately, the Memphis Shelby County Film Commissioner, Linn Sitler, obscured its significance. A historical marker at G.E. Patterson and Main Street wrongly credits the 1989 film “Mystery Train” as Memphis’s first independent film. Elmore’s true legacy—a Black film from Orange Mound—remains hidden behind racial biases.
Silence Is Betrayal
Memphis, where Dr. Martin Luther King Jr. was assassinated on August 4, 1968, should be a beacon of inclusivity and recognition. Instead, it perpetuates discrimination. Elmore’s voice echoes King’s words: “Silence is betrayal.” The city’s 70% Black population deserves acknowledgment of their history. Elmore, through his website Black Memphis History, has curated hundreds of videos documenting this legacy. Yet, Memphis lacks a dedicated Black History museum.
But Elmore’s journey wasn’t without obstacles. The Wall Street Journal once labeled Memphis a “Backwards City with a Plantation Mentality.” Despite this backdrop, Elmore’s film stood tall. Unfortunately, the Memphis Shelby County Film Commissioner, Linn Sitler, obscured its significance. A historical marker at G.E. Patterson and Main Street wrongly credits the 1989 film “Mystery Train” as Memphis’s first independent film. Elmore’s true legacy—a Black film from Orange Mound—remains hidden behind racial biases.
Silence Is Betrayal
Memphis, where Dr. Martin Luther King Jr. was assassinated on August 4, 1968, should be a beacon of inclusivity and recognition. Instead, it perpetuates discrimination. Elmore’s voice echoes King’s words: “Silence is betrayal.” The city’s 70% Black population deserves acknowledgment of their history. Elmore, through his website Black Memphis History, has curated hundreds of videos documenting this legacy. Yet, Memphis lacks a dedicated Black History museum.
A Call for Change
Elmore’s struggle against racism, white supremacy, and Black-on-Black prejudice is a chapter that Memphis must confront. His film, “The Contemporary Gladiator,” isn’t just about kickboxing; it’s about resilience, identity, and cultural pride. As Dr. Carter G. Woodson, the father of Black History, wisely said, “Those who have no record of their forebears lose the inspiration that comes from history.” Let us rewrite the narrative, celebrate Elmore’s achievements, and honor the Black Memphis history that deserves its rightful place in the spotlight.
Anthony “Amp” Elmore’s legacy is a beacon for future generations—a reminder that history, when acknowledged, empowers us all.
Elmore’s struggle against racism, white supremacy, and Black-on-Black prejudice is a chapter that Memphis must confront. His film, “The Contemporary Gladiator,” isn’t just about kickboxing; it’s about resilience, identity, and cultural pride. As Dr. Carter G. Woodson, the father of Black History, wisely said, “Those who have no record of their forebears lose the inspiration that comes from history.” Let us rewrite the narrative, celebrate Elmore’s achievements, and honor the Black Memphis history that deserves its rightful place in the spotlight.
Anthony “Amp” Elmore’s legacy is a beacon for future generations—a reminder that history, when acknowledged, empowers us all.
Black Memphis History "The Contemporary Gladiator"
Raiford's disco located on 2nd Street in downtown Memphis is the Oldest disco in America. In 1987 Anthony Elmore filmed this scene at the club when it was located at Vance and Mulberry. Robert Raiford is deceased however Anthony "Amp" Elmore filmed scenes in the club in 1987 and Raidford's history is in "The Contemporary Gladiator."
Robert Raiford
Carol Edwards
Anthony "Amp" Elmore
